Gear ratio: 1:15. Vintage-style screw spacing mounting - 15/16" (23.8 mm). Bushings: Internal diameter is 11/32" (8.8 mm). External diameter is 14/32" (11 mm). Can be retrofitted to nearly any Fender guitar (US or Mexico) using vintage-style tuning machines with 15/16" mounting spacing · Instrument: Gitarre · Ausführung: 6 links · Bauart: Locking · Durchmesser: 11 mm externer Durchmesser · Farbe: Chrom · Besonderheit(en): 1:15 Übersetzung · Verpackungseinheit: 6 Stück Mechanik
ALL MY FRIENDS (FRANZ FERDINAND)|AN END HAS A START (EDITORS)|THE ANGRY MOB (KAISER CHIEFS)|AUTUMNSONG (MANIC STREET PREACHERS)|BOOKS FROM BOXES (MAXIMO PARK)|DIRCET HIT (ART BRUT)|DOWN BOY|DREAM CATCH ME / Faulkner Newton|EVERYTHING IS AVERAGE NOWADAYS|FANS (KINGS OF LEON)|FOR REASONS UNKNOWN (THE KILLERS)|FOUNDATIONS|GREEN FIELDS|GUITAR / Prince|HOSPITAL BEDS (COLD WAR KIDS)|I CAN'T STOP THIS FEELING I'VE GOT|I'M NOT SORRY|IT'S NOT OVER YET|JESSICA (ELLIOT MINOR)|LISTEN UP (GOSSIP)|LISTENING MAN (THE BEES)|MAMMOTH (INTERPOL)|MEN'S NEEDS (THE CRIBS)|MISERY BUSINESS|1 2 3 4 / Feist|THE PRETENDER / Foo Fighters|SATURDAY SUPERHOUSE (BIFFY CLYRO)|SHE BUILDS QUICK MACHINES / Velvet Revolver|SHE'S GOT YOU HIGH (MUMM RA)|SHEILA (JAMIE T)|SMOKERS OUTSIDE THE HOSPITAL DOORS (EDITORS)|SUBURBAN KNIGHTS (HARD FI)|TARANTULA (SMASHING PUMPKINS)|THNKS FR TH MMRS (FALL OUT BOY)|3'S + 7'S (QUEENS OF THE STONE AGE)|TORN ON THE PLATFORM (JACK PENATE)|What I've Done|THE WORLD IS OUTSIDE
Sono kombiniert die preisgekrönte Wandlertechnologie des britischen Herstellers Audient mit den beliebten Speaker-Cab-Simulationen von Twonotes und dem wohl erfolgreichsten Bauteil in der Geschichte der Gitarrenverstärker: der 12AX7 Vorstufenröhre. Gepaart mit einer kompromisslosen 3-Band Klangregelung, zwei Torpedo Modelling-Endstufen und der Cab-Simulationen von Twonotes, bietet Sono dem modernen Gitarristen unzählige Recording- und Performance-Optionen, egal ob auf dem heimischen Sofa, im Studio oder auf der Bühne. Mit den schier endlosen kreativen Möglichkeiten von Twonotes werden aus einfachen Ideen in kürzester Zeit authentisch klingende Riffs, Akkordfolgen und Songs. Dem User steht eine riesige (jederzeit erweiterbare) Auswahl an Lautsprechersimulationen, die an die großen Klassiker von Marshall, Fender, Mesa Boogie oder Ampeg angelehnt sind, zur Verfügung. Raumtyp, Art der Mikrofonierung und sogar das Mikrofon selbst können jederzeit beliebig angepasst werden. Ist man mit einer Zusammenstellung der virtuellen Recording-Session zufrieden, so lassen sich bis zu drei Presets an Bord von Sono speichern und im Standalone-Betrieb, ganz ohne Computeranbindung live nutzen. Mit der einzigartigen "to valve"-Funktion kann man Gesangsmikrofone, Synths oder Drum Machines durch die Röhrenvorstufe, den analogen EQ und die Twonotes Toropedo Software jagen, um verrückte neue Sounds zu erzeugen oder seinen Aufnahmen klassische analoge Wärme hinzuzufügen. · 10 in / 4 out Guitar Recording Interface · High Speed USB 2.0 (USB-C) · Komplett aus Metall gefertigtes Desktopgehäuse · AD/DA-Wandler der Spitzenklasse · 24 bit · 44,1 – 96 kHz · 2 Audient Class A Konsolen-Mikrofon-Vorverstärker · 60 dB Gain · 2 x 48 Volt Phantomspeisung · 1 x Röhrenvorstufe inklusive 12AX7 Röhre · 3-Band Klangregelung · OnBoard Two Notes DSP · Inklusive Two notes Torpedo Remote Software · Audio Interface
We're always talking about creativity, but what do we mean? Can we find creativity, can we measure it, can we encourage it? Kurt talks with professor and author Gary Marcus (Guitar Zero) about what science tells us about creativity. A researcher shoves jazz musicians into an fMRI machines and has them improvise; an intrepid reporter gets her creativity tested and scored; and a little girl introduces us to her imaginary friends (all of them). [Broadcast Date: November 26, 2012] 1. Language: English. Audio sample: http://samples.audible.de/rt/stud/121124/rt_stud_121124_sample.mp3. Digital audiobook in aax.
From the humble garden lawnmower to the ear-splitting electric guitar, James May returns with a typically wacky account of what makes these great machines work, one piece at a time. Reassembly is merely a form of therapy, something that stimulates a part of my brain that is left wanting in my daily life. When I rebuild a bicycle, I reorder my head. So might you.... I'm delighted that you will be listening to an audiobook about putting things back together. It's a subject that fascinates me but which I assumed was a lonely passion that I would take to the grave, unconsummated by the normal channels of human interaction. Welcome! You and I, we are not alone, and our screwdrivers are our flashing Excaliburs as we sally forth to make small parts of the fragmented world whole again. 1. Language: English. Narrator: James May. Audio sample: http://samples.audible.de/bk/hodd/001207/bk_hodd_001207_sample.mp3. Digital audiobook in aax.
Das missing link zwischen Herbie Hancocks Headhunters und Amon Tobin, zwischen 70ies-Jazz Rock und Dubstep a la Skream.nnKRAZY BALDHEAD, Ed Banger's best kept treasure, introduces his second album The Noise in the Sky. KRAZY BALDHEAD is one of the Ed Rec crew's accomplished musicians: he spent ten years at the Conservatory practicing electronic instruments, but also the piano, guitar, bass and percussion. This is an artist who didn't hesitate to go off to India to practice the tabla and infuse himself with their hypnotic rhythms for four months. For his second album The Noise in the Sky, KRAZY BALDHEAD delved into his 70s influences: while on tour for The B-Suite, he traveled by day listening to 70s jazz and played by night in electro clubs and festivals. While in Detroit to play at the DEMF festival, he visited the historic Motown studios in Hitsville USA and realized the duality of his musical position: influenced on one side by 70s sounds and being part of the Ed Banger label, in his studio, vintage Moogs and Rhodes share the space with an Ableton computer and its plug-ins: he questioned himself on this duality and endeavored to find a musical answer. The result is absolutely contemporary, but also influenced by a branch of the 70s culture, building bridges between Herbie Hancock's Headhunters and Amon Tobin, between Weather Report and Skream. On stage, KRAZY BALDHEAD plays live with machines, keyboards and pedals giving a different result every night. For his new tour, he has surrounded himself with videos created by Flashback, who also directed the video for 'Surabaya Girl', which followed a multicolored windmill through Paris. TRACKS: Side A: 01. The Noise In The Sky 02. Surabaya Girl 03. Amplifried 04. Day In Day Out 05. Alexander Platz 06. Must There Be An Angel Side B: 01. Miles High 02. Empty Boy 03. Resurection 04. Castles And Clouds 05. Slow Motion 06. A Child Is Born
Die Tracks entstehen aus live Gitarre, Drummaschinen, mülligen Synthies und Schichten aus Samples, die alles zu einem zusammenhägenden Ganzen verdichten.nnLet s Cry And Do Pushups At The Same Time is the most recent statement from Torn Hawk aka producer and video artist Luke Wyatt. It's difficult to neatly categorize Wyatt's genre-refracting productions. The nuts & bolts are built from live guitar, drum machines, junky synths, and layers of samples which are smeared into a cohesive whole. Wyatt's guitar moves between the meditations of Manuel Göttsching, the jangle-grid of The Chameleons and the saturation of Medicine. Throw in the melodrama of a sax on a Don Henley hit, and you get a better idea of Torn Hawk's playfully sincere sensibility. TRACKS: 1. I'm Flexible 2. She Happens 3. Afterprom 4. Return to the Pec Deck 5. Acceptance Speech 6. Because of M.A.S.K. 7. Under Wolf Rule 8. There Was a Time
(LP) Auf analoges Tonband aufgenommene pure romantische Abstraktion. Shoegazer - Gitarren, Ambient-Drones, Drummaschinen, Synthie-Schlieren, atmosphärisch, deep.nnAuf analoges Tonband aufgenommene pure romantische Abstraktion. Shoegazer - Gitarren, Ambient-Drones, Drummaschinen, Synthie-Schlieren, atmosphärisch, deep. On the Echoing Green is an elegant work of lush, shimmering sound, rendered with a singular touch by eternal electric romantic Jefre Cantu-Ledesma. In contrast to the haze and hermetic process of previous albums, Green was conceived as a deliberate experiment in clarity and collaboration: I was interested in trying to bring out more overt pop elements, to let them come to the front and be present. I also have more trust now in letting things happen trusting other people s musicianship, and being open to people s ideas. Eventually, things emerge. What emerged from this bond are eight rapturous and richly melodic slow dives of swirling guitar, bass, synthesizer, piano, and drum machines, dramatically accented in places by heavenly arcs of voice courtesy of Argentinian singer-songwriter Sobrenadar. Cantu-Ledesma encouraged chemistry and intuition in the studio by beginning the album without any demos for reference, he and his collaborators pursued patterns and hypnotic textures across long-form improvisations until gradually songs began to take shape. This is music of growth and grandeur, of ascent and exploration, played with purpose and passion by a craftsman in tune with the beauty of sound and the harmony of light. In his words: This album feels like spring things coming alive, blooming, emerging from winter. TRACKS: 1. In A Copse 2. A Song Of Summer 3. Echoing Green 4. The Faun 5. Tenderness 6. Vulgar Latin 7. Autumn 8. Dancers At The Spring 9. Door To Night
Die Ambient & Elektronika 90er Legende mit dem ersten Album seit 15 Jahren! 1xLP, 180gr Vinyl, Cover in drei Pantone-Farben, incl free MP3 downloadnnDie Ambient & Elektronika 90er Legende mit dem ersten Album seit 15 Jahren! This Time Last Year is the sixth album by UK electronic duo ULTRAMARINE (Ian Cooper & Paul Hammond), and their first full-length release for 15 years. Featuring all-new material and recorded in the band's isolated studio on the edge of the Essex marshes, the album ebbs and flows in mood like the nearby Blackwater estuary. Working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances. Cooper & Hammond then rewired their initial sketches through a series of hands-on, lo-fi effects chains, blurring the edges between acoustic & electronic elements. The result is an organic, playful feel, leaving the music room to breathe and carrying distinct echoes of the band's previous work. BIOGRAPHY Ultramarine are the London/Essex-based duo of Ian Cooper & Paul Hammond. Formed in 1989, the band's early records were released by the seminal Belgian label Les Disques du Crépuscule. Ultramarine released five albums during the 1990s including the highly-acclaimed ambient techno/house classic Every Man And Woman Is A Star (Rough Trade, 1992), United Kingdoms (Blanco Y Negro, 1993), featuring writing collaborations with Robert Wyatt, and Bel Air (Blanco Y Negro, 1995). After a prolific decade, including full American and European tours with Björk and Orbital, Ultramarine went on a long sabbatical following the release of their fifth album A User's Guide (New Electronica, 1998). After a 13-year absence they resurfaced with two new singles in late 2011 on Real Soon and WNCL Recordings, fully rested and ready for action. TRACKS: A1 / 1 Technique A2 / 2 Find My Way A3 / 3 Dugout A4 / 4 Eye Contact A5 / 5 Decoy Point B1 / 6 Within Reach B2 / 7 Passwords B3 / 8 Sidetracked B4 / 9 Even Then B5 / 10 Imaginary Letters